Taking a crash course in experimental performance, postgraduate journalism student, Filiz Mehmedova, dived into...
On the surface, Paul Hurley and Shaun Caton’s Strange Newes was world’s apart from Fern Thomas’ Springtide Archipelago...
How do you get strangers to open up to each other in a very short space of time? Jo Fong and Sonia Hughes create a...
Choreographer Angus McLean Balbernie’s 343 m/s was Filiz Mehmedova’s first experience of Chapter’s annual art...
Rhodri Davies’ improvised Transversal Time gently plucked at the chords of Emma Geliot’s memory as part of...
Emily Hartless went to Green Man to report for CCQ. She took our faithful festival photographer, Eric Aydin Barberini...
In the book Coal Tree Salt Sea, Sarah Rhys describes the custom of the sin-eaters of the Amman Valley, societal...
Taking place in a beautiful and secluded field and small woodland, house and gardens, Supernormal reaches depths and...
As Kelly Best's solo show Vanishing Point, at Oriel Davies, Newtown, Powys, draws to a close, Trevor H Smith sends us...
At the end of last month Joanna Bond completed a performance walk which revolved around the concept of human connection...
These Rotten Words, Chapter Gallery, 2017. Pictured from left: Rebecca Ackroyd, Everyone's Gone Now Nothing Works 2,...
Three women, on a tiny stage, conjure mighty powerful images out of spare and fluid acting and an astonishing script....