How do you get strangers to open up to each other in a very short space of time? Jo Fong and Sonia Hughes create a...
Choreographer Angus McLean Balbernie’s 343 m/s was Filiz Mehmedova’s first experience of Chapter’s annual art...
Rhodri Davies’ improvised Transversal Time gently plucked at the chords of Emma Geliot’s memory as part of...
Our latest edition of CCQ Magazine is out now. It features Megan Broadmeadow, Simon Proffitt, Dhaka Art Summit, MACAAL...
Our 13th edition of CCQ has been out a couple of weeks now, and is disappearing fast. We have two covers, one with the...
This beauty of a poster has been made by Emma Daman Thomas, she be of From Now On, and she along with Mark from Shape...
Emily Hartless went to Green Man to report for CCQ. She took our faithful festival photographer, Eric Aydin Barberini...
In the book Coal Tree Salt Sea, Sarah Rhys describes the custom of the sin-eaters of the Amman Valley, societal...
Over the last 18 months Tangwen Roberts has been working with the Confluence partnership to run The Lab: a programme...
Taking place in a beautiful and secluded field and small woodland, house and gardens, Supernormal reaches depths and...
Weekend after next, 4-6 August, brings once again to Braziers Park in Oxfordshire that fiercely independent and...
As Kelly Best's solo show Vanishing Point, at Oriel Davies, Newtown, Powys, draws to a close, Trevor H Smith sends us...